Art Springs for Wildlife & Arts in the Valley

My works Spring Kookaburra Triptych 2020 and Summer Swallow 2015 Hill End 2016 2021 will be exhibited in the Art Springs for Wildlife exhibition at Berry School of Art opening 29th September – 3rd October. My Between Two Worlds (Summer Cuckoo 2019 Cockatoo) 2021 is a finalist in Arts in the Valley art prize opening 30th September – 3rd October.

After 3 years of Covid, I am finally able to exhibit my work in the flesh!

Spring Kookaburra triptych

I have completed a triptych for SeeChange2020 building upon the central shroud created at Worrowing in 2017 (refer to earlier posts). The kookaburra was found deceased at the Worrowing shroud site. Cost is $2400 as a triptych.


Individual works can be sold separately.

Rising (Spring Kookaburra) 2020 bitumen, oil, gouache, aquarelle, gesso and rabbit skin glue on canvas 80(h) x 45(w) cm $720.


Spring Kookaburra 2017 2020 bitumen, oil, gouache, aquarelle, gesso, kookaburra and rabbit skin glue on canvas 66(h) x 73(w) cm $963.


Falling (Spring Kookaburra) 2020 bitumen, oil, gouache, aquarelle, gesso and rabbit skin glue on canvas 45(h) x 80(w) cm $720.


NOW Contemporary Art Prize

My work Day and Night is a finalist in the NOW prize.


Day and Night (Autumn Cockatoo and Flying Fox) 2011/2019. Cockatoo, flying fox, silk stitch, bitumen, oil, caput mortuum, pipeclay and rabbit skin glue on canvas. 101 x 162 cm. $3272.

Artist Statement

Road boundaries kill animals, like this flying fox and white cockatoo in Canberra 2011. I dissolve the boundary between animal subject and art object by placing decomposing animals on canvas to infest the weave. After documenting their disintegrated remains, I steep the rancid cloth in vinegar and hang it in the elements to cure before stretching onto a wooden frame. I seal the evocative bodily stain or shroud with hot rabbit skin glue and spend weeks, months, or years, in its presence. In 2019, I felt drawn to this shroud and its accompanying photographs of decayed subjects, my two younger children running in a field, their loyal father in his cowboy hat, and two white cockatoos watching from dead trees in the dry Monaro. I apply the bitumen and oil of Europeans to depict the dead creatures, and sacred pipeclay given by a recently deceased Aboriginal mentor negotiates the ground.

Collecting Worrowing Autumn Shroud Set

Darren and I were only able to collect Shroud set 2 on Sunday as I had made the mistake of moving the sets into a shady area of the property. Shroud set 2 was not dried out enough to successfully remove the bodies. I made another mistake attempting to remove the flying fox and ringtail while moist. The imprint was not sufficiently revealed as the body was melted onto the canvas. I decided to leave shroud 2 at Worrowing in the sun to dry out further. I collected it in a few days and it was nicely dried. Vinegar processing went well, the stains nice and strong.


Bherwerre 11

Bherwerre11The final of the twelve painted panels completed in the new year featuring a spotted pardalote in front of its muddy bank home and the silvereye in the wattle. Both photos referenced were taken by Chris Grounds. Today I joined the other Bherwerre wetland artists on a wetland walk guided by Plant specialist Rebecca and bird specialist/photographer Chris. It was lovely and inspiring.

Worrowing Summer Shroud Set

Darren and I set up an array of creatures this morning amidst the mozzies and heat, some of which were given to me by a friend Danny who was taught taxidermy by my father years ago. There were lots of surprises, a micro bat and what looks to be a Cuckoo amid my collection of ringtail, mouse, leather jacket, starfish, wonga pigeon and the crowning glory, a Southern Boobook owl with wings outstretched.

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