I was awarded participation in a group show opening on Thursday 14th May at 6:30pm at the Alliance Francaise 66 McCaughey st Turner.
material fourmations
Goodbye possum, hello kangaroo
Unfortunately the possum was taken by a hungry predator, probably a fox who dragged it out from under the wire.
But ranger Murray was there to provide me with another recent car fatality, a lovely female kangaroo. I had canvas just the right size, and he placed her on the canvas suggesting black plastic and wire over her. Adam helped me by covering her with a very secure plastic and wire covering. We hope she will not be disturbed. I will leave her two weeks before my first inspection. The male kangaroo shroud I created on the about page was left uncovered for a month. But as you can see below, his head had already been partially eaten.
NT museum and art gallery
After visiting museum websites, I became even more inspired to travel to NT and find an ochre and rock art learning adventure. Learning material processes from artists working with ochre and bark, or weaving at Oenpelli and Yirrkala art centres interests me.
Poetic science
Isaac Newton opticks 1704-“Between the parts of opake and clour’d bodies are many Spaces, either empty or replenish’d with Mediums of other Densities…in whose interstitial zones slender Arcs of Colours shaped almost like the Conchoid grow, violet, blue, which. bended more and more about the transparent spot are completed into Circles or Rings.”
Spectrum
Revealed in Light 2009 rabbit skin glue, gesso and aquarelle on canvas 120 x 120 cm SOLD
Possum
I have laid a possum killed on the road in Ainslie on canvas and placed it in a bush site for decomposition print, like the kangaroo on the about page.
endnote and networking
I have begun using endnote to store references and it is a very useful research tool. I have discovered that images stored under figures or artwork can be inserted into a word document with a label and the figure number is automatically placed in the text and a reference is added. But a list of illustrations is unfortunately not generated.
Attended a lecture by Dr Susan Lowish concerning the integration of indigenous art into Australian art history as an introduction to her RSH Visiting Fellowship at ANU focusing on Gunbalanya in Western Arnhem Land and Ernabella in South Australia. Noted the presence of anthropologist Prof. Howard Morphy, director of RSH and Prof. Sasha Grishin, Head of Art History at ANU and realised the importance of networking.
I felt privileged to meet artist/tattooist eX de Medici at the Australian War Memorial, currently employed as a war artist in PNG. Her intricate tattoos and watercolours featuring moths and weaponry inspired me to explore both mediums.
Laomedia 