H.P. Lovecraft’s chilling poem
Collaborating with Theresa
My school mate Theresa Ardler from Wreck Bay agreed to paint into one of the Shroud works with me.
The echidna was fatty so I said we should paint a ring of yellow ochre dots around the body, yellow meaning fat.
Then Theresa said she wanted to paint bands of red and black emanating out from this as the different types of ground the echidna passes over as she travels the land.
The Fleurieu Art Prize
I am a finalist in The Fleurieu Art Prize with two shroud works:
NOW Shoalhaven Art Prize
Jervis Bay and Basin Arts Inc are running the first art prize in the Shoalhaven
For photos of opening night see our facebook page
Antennae
The journal of Nature in Visual Culture has two issues devoted to animals in painting.
My paper is published in the second one.
PhD works
Here are the completed works from my recent graduating exhibition.
The last shroud
This film records my decision to remove the crow body from the shroud revealing the shadowy stain beneath. I also decide to leave the butcher bird’s body stuck to the canvas. Although I found the crow’s body beautiful, I could see the objectification once the work hung in the gallery. The presence of the crow shroud stain however counteracts the objectification of the butcher bird remains due to visual subservience to the crow who feeds on death.
A week later a murder of crows had gathered at the body of their own kind creating a cacophony as they fought over the remains.
graduate exhibition
The end of my research project has come…
opening 21st March at SOA Gallery ANU 6pm
The last PhD shroud set
Processing the Spring/Summer 2012 set
On the 20th of January 2013 Adam and I traveled to Tony and Steven’s farm to collect the Shrouds we had left at the end of Spring late October 2012. They had therefore been there for about 3 months, longer than I usually leave them. This was due to my arrangement for Michal to film their collection and processing today after she returned from the summer break, but unfortunately she could not make it.
The bodies were looking beautifully dried out so collection of the mammal canvases was no problem as the maggots during the wet decomposition phase had gone and beetle infestation during the dry decomposition phase had begun. The bandicoot looked particularly interesting and the cockatoo stunning as expected. This was my first use of the trampoline and the result was amazing as water had pooled on the surface absorbing a rich brown pigment I assume from the tree bark but maybe the bodies contributed. We chatted to Tony afterwards and he discussed the recent fires and their lucky escape.
At home I boiled up more eucalyptus leaves I had collected from the site tree using gas to heat the old copper. After purifying the hare for just a short while I left the possum over night and it achieved a rich brown tinge. I left the cockatoo/bandicoot as it was, just hanging it out to air. As it has not been creased like the others from the dye pot and is larger due to the trampoline space, I am not going to stretch it on a frame, but simply nail it to the wall.
My last shroud will be a large black crow and a tiny coloured finch which I have arranged Michal to film. Although Adam took the bed bases home from the site, we left the trampoline ready for the crow and finch.
Laomedia 