I finally completed panel 10, another very detailed and therefore time-consuming painting featuring a red-browed finch, a bridal vale orchid and an Australian mistletoe bird.

I finally completed panel 10, another very detailed and therefore time-consuming painting featuring a red-browed finch, a bridal vale orchid and an Australian mistletoe bird.

This interview with Petra from Atelier TV occurred at my childhood home in Vincentia following SeeChange18 where I met Petra in front of my Shroud works in ‘Threads’. Petra also published an article about my practice.
I finally completed the 9th panel which took almost 3 times as long as the other panels due to the level of detail.


Last Sunday Darren and I drove to Worrowing in our old ute to pick up the shroud set featuring the turtle, baby Port Jackson shark, stingray and kookaburra. A horse came to check us out and ran away snorting and shaking its head when I shook out the turtle shroud. Must have got a diabolical whiff of it! At home I put them in a vinegar bath before hanging them out to cure for a few weeks. The only body I kept was the cute little baby shark. The rest I placed under a large eucalyptus tree.























In preparation for the Other Art Fair in Sydney I set up a new Winter Shroud set at Worrowing last weekend. Magically as soon as I thought I needed to create more marine shrouds a baby Port Jackson shark, green turtle and stingray magically appeared on the beach where I jog many mornings. Then on the way to the shroud site directed by Tom I saw something on the track and discovered a recently deceased kookaburra!














On Sunday I completed the Rainbow Lorikeet I had created at Worrowing during my residency. The Lorikeet was found deceased by Alicia Talbot during my residency at Bundanon in 2015. Its shroud on paper is still waiting for a watercolour painting. At Worrowing I had a strong desire to paint on a sturdy linen stretcher with rich oil colours. I remembered a friend (my former primary school teacher) Bruce Malbon had requested a colourful bird, so I felt inspired. I began the ‘paint’-staking but enjoyable process of completing two coats of gesso in the negative space between the nest motif consisting of the raw linen glistening with rabbit-skin glue. I also left raw linen sections inside the Lorikeet too, which made the oil painting a little more challenging. I am very happy with the result.




Bundanon Rainbow Lorikeet 2017 68(w) x 64(h) cm SOLD
Waking up seeing the colours of dawn from bed and painting. I had soaked a batch of rabbit skin glue and alum to size a bunch of new linen and canvas stretchers, one being the ringtail and magpie shroud created at hill End. I worked on Bherwerre 6 more too and thought of a work to paint for the Flourish theme Ravenswood Art Prize, although I only have two days left to create it, which may be impossible. Darren and I walked down to the dams and swamp on the property and found some clay colours suitable for the ochre expedition on Sunday. I was hoping to also find wattle glue but there were mainly casuarinas, eucalypts and paperbarks.

















I moved into Worrowing today. A sun-filled studio apartment on a private estate run by Jenny, Adrian and one of their sons Tom who is also an artist. I focused on painting the 6th Mural. At 5pm I met Jennifer from Bundanon to hand over my artwork donation the diptych ‘Winter Stingray with Jennifer’s Skate (1) & (2)’