Year of the Bird exhibition

Birds have featured throughout the shroud project creating ghostly images.
The exhibition is at Maitland Regional Gallery

Blessing 2011
'Blessing' magpie, rabbit skin glue, ochre, charcoal, aquarelle and cotton stitching on canvas

http://www.flickr.com/apps/slideshow/show.swf?v=122138

Sewing or adding ochres changes the representation.
This is a delicate negotiation, adding one element may detract from the indexical power of the bodily stain.

Blake Prize

I am very excited about becoming a finalist in the Blake Prize for religious art.
I entered this lamb shroud I had worked into with sacred delek from Arnhem Land and silk stitching.
I called the work lamb of God (Monaro Country)

My 50 word statement to explain the religious significance of Lamb of God 2012:

In the bible the Lamb of God is sacrificed to remove the sins of the world.
This work is a decomposition print made by a lamb that died in spring 2011 amidst new life in the Monaro sheep-farming district. Sacred white ochre indicates the lamb’s role as spiritual testament. A positive audience response.

'Lamb_of_God'_2011-12
‘Lamb_of_God’_2011-12

Waterhouse Natural History Art Prize

I am happy to be a finalist again in the painting section of the art prize run by the SA Museum
I entered this work called Broken Dream finished late 2011. This painting began as a currawong shroud and I worked into the stain using the delek, garlba and gunnodjbe I collected in Arnhem Land. I also sewed into the weave using silk thread

This painting began as a currawong shroud and I worked into the stain using the delek, garlba and gunnodjbe I collected in Arnhem Land. I also sewed into the weave using silk thread
Broken Dream 2010-11