Rosella print

April 13th, 2010  |  Published in field research, practice

The resulting decomposition print appears clean as though the body protected the canvas from the elements and dried out rather than melting. I did not brush the canvas down or dye it in eucalyptus, only pulling it through the vinegar bath as the creamy colour of the canvas appealed and there was no smell evident. The drops of sap from the eucalyptus tree provide the reference to place.

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